Wub wub scream wub big scream UK meme sample shout shout scream wub wub wub hawk sound effect gabber kick gabber kick scream wub wub wub talk shit on the scene wub wub wub cute outro.

angst & donaumarina (6k ovecek collective) is a Prague-based collaboration between Arnošt Šťáva and Gregory Maliukov. Their songs move through dramatic folk lullabies and tired love rock songs. Live, the project expands with František Převorovský (Vellocet Roll) on bass and David Mach (SVAZ) on drums.

ANTHEM (fka 4D:8K_GUARDEDTRIPZ) is an artist, producer and sound designer born and based in Berlin. His music fries and splices shards of dancehall, rap, found-sound and his own production into hallucinatory dreamscapes. Expect club-adjacent tunes shredded and wrenched into geometrically implausible shape — recasting familiar sounds in ways that hit hard and burn slow. Music for mind, body and spirit. words by madjestickasual.

Haitian / Honduran duo B0YG1RL, consisting of composer June Vinette and filmmaker Angela Rio, is an experimental Black queer and trans electronic music duo and multimedia visual art collective based in Miami, Florida.
Serving up an off-kilter cocktail of local Miami bass, baile funk, Haitian konpas and dembow riddims, they’ve quickly received co-signs from underground heavyweights such as Crystallmess, umru, Ninajirachi, Nick León and visual artist/musician Frank Dorrey. From the white-hot, fizzing-synth frenzy of their breakout single ‘Je M’appelle Tété’ to the bludgeoning 808s and raw off-ramps of their EXIT 2B EP, B0YG1RL have been releasing rule-breaking bangers juxtaposed with unexpected downtempo groundings, trading pristine redlining for a raw, verité style celebrating community, resilience, Afro-diasporic story telling and Miami geography. B0YG1RL’s vision extends beyond the dance floor. Their visual work frequently archives and captures local oral histories, translating them into different mediums like public video portraits and community-led activations. They document and elevate historical Black and Caribbean spaces across South Florida—specifically capturing the textures and the spiritual architecture of Miami at large. Their latest EP, EXIT 2B, was released on Surf Gang Records on May 18th 2026.

Bassnotesonhope is a pop-up musical-theatre semi-professional choir-ensemble-band competitive dance team that started out between London and Prague and keeps re-forming wherever they will have us next. We fixate on cool topics and build performances around them. Amongst our previous obsession were: the song Ironic by Alanis Morisette, Maria Manow from bassvictim, all the flags of the world, Somalia, Cairo as the new New York and Lorde on Guerrilla warfare. Our Current obsession: Dark Tiki.

bbpue is a musician and graphic designer based in Brooklyn, NY. New music coming soon.

Bimini was born and raised in Great Yarmouth, Norfolk. Upon moving to London they worked successfully as a DJ and club host, working everywhere from East London to New York. In 2019 Bimini was crowned Miss Sink The Pink and has since performed at huge events such as Mighty Hoopla and Brighton Pride.
January 2021 saw Bimini star in the massive hit BBC series ‘RuPaul’s Drag Race UK’. Bimini proved to be a huge favourite with both fans and critics alike, garnering acres of media coverage and over 945,000 followers on Instagram.
Recently Bimini has taken part in campaigns for Selfridges, Calvin Klein and Maison Margiela, along- side editorials for British Vogue, Interview, Notion, Dazed, ES Magazine, W Magazine and The Face. Earlier in 2021 Bimini appeared in the video for Ava Max’s ‘My Head & My Heart’ guest starred in Little Mix’s stunning video for ‘Confetti’ and the forthcoming collaboration with Oliver Sims (The XX).
Bimini released their debut single ‘God Save This Queen’ in June 2021, which achieved plays on BBC Radio 1, Radio 2, and BBC Radio 6. The accompanying music video hit over 463,000 views on YouTube. October 2022 saw Bimini release their first book ‘A Drag Queen’s Guide to Life’. The book was critically acclaimed and shot straight into The Sunday Times Top 10 bestsellers list.
January 2022 saw Bimini head back in the studio writing and recording with the likes of Redshank, Benji Gibson & Joy Anonymous to work on new music which led to signing a worldwide recording contract with Relentless, Sony Music.

blastah, the Berlin-based producer from Lisbon, stands as a distinguished electronic music artist and DJ, with a vibe perfectly sensuous and set in woozy soft focus. Starting in 2015, his discography contains releases under esteemed labels such as Golden Mist Records, Mixpak Records and Worldwide Unlimited. Collaborating with producers like ANIMA, ANTHEM, Don Sinini, jambriiel, Opal, DJ Python, Silvio and more, to create scintillating club facing re-imaginations of classic R&B and Pop tunes with a mix of Reggaeton, Ambient, Dancehall, Baile Funk, Trap, Batida and Tarraxo. blastah has graced the airwaves with his artistry, delivering mixes on distinguished platforms such as The Lot Radio, Kiosk Radio, NTS Radio, Rinse FM and Rinse France. His international footprint is evident through DJ set performances in the USA, Canada, Portugal, Spain, France, Germany, Netherlands, United Kingdom, Italy, Belgium, Greece, Switzerland and Hungary.

‘Los Angeles Emo’

Charlie Osborne (b. 1999, Cardiff) is a London-based artist working across video, performance, music, writing and painting. Working through poetic vignettes, their practice employs a fictive logic to theatricality and the hyperreal. Drawing on horror aesthetics in both style and strategy, the work takes hybrid form—shock-rock essay-concert, noise performance, magical-realist story—shaped by screamo, synth-punk, hypnagogic pop, screaming harmonica, and a never-ending love-story rendered polyphonically. Osborne’s characters, video, sculpture and live shows are conceived as a spiritual dimension, where existential excess and the folly of modernity drive conspiracy and phenomena—replying through a new mythicism.

As a member of the Czech group Club Dance Macabre, Charon Hate (also known as David Duchovny) is a South Bohemian vocalist blending sentimental feelings with raw bass and a slow, trancey sound. You may already know him as that feeling in your heart you can’t think of a name for. Hlen represents a different side, his tongue remaining completely silent. He speaks through his wild productions combining Czech rap folklore, zaag, and noise, creating a beautiful world filled with misery.

Bay Area tech rasta hippie fag based in NYC. Future of music with breakbeats n kush. Casting subliminal spells through sound. If witchcraft scares you, run away.

A four-piece slowcore band from London. Despite coming to prominence with other South London sensations such as Black Country, New Road, Jerskin Fendrix, Sorry and Black Midi, deathcrash have always had a distinctly mysterious energy about them, the shy kids in the corner quietly constructing something grand.
They released their debut album ‘Return’ in January 2022, a statement record standing at 65-minutes, hailed by Loud and Quiet as “an embarrassment of musical riches that is only matched by the depth of evocations that haunt the record”.
Not ones to rest, the band decamped to the Outer Hebrides just 6 months after this release to record ‘Less’, their sophomore record that is a focussed and lean progression of their sound. ‘Less’ garnered high praise from Pitchfork, Line of Best Fit, Brooklyn Vegan, So Young, Louder Than War, and Loud and Quiet and had tracks featured on BBC Radio 1 as well as more broadly across stations in the UK and the EU. It reached 76 in NACC’s Top 200 in the U.S.
The band’s live show is visceral, intense and precise. Credited as Far Out Magazine’s Best Live Band of 2023, their London headline shows have always sold out, performing at Chats Palace, the Institute of Contemporary Arts and at the renowned Fabric nightclub. Their recent album tour saw the band playing a series of unusual spaces for their music: Bristol’s old cinema The Cube, Manchester’s infamous White Hotel, Leeds’ Mill Hill Chapel, and Glasgow’s Centre for Contemporary Arts. The band has toured with Codeine, The Jesus and Mary Chain, and Black Country, New Road.
deathcrash are Noah Bennett (drums), Patrick Fitzgerald (bass), Matthew Weinberger (guitar), Tiernan Banks (vocals/guitar).

Deer park is the music of Andy Santella, whose variegated soundworld spans close-mic’d bedroom guitar pop, low-lidded rap, and hard-slapping production for the likes of fakemink, jackzebra, and Jawnino.
His Deleted-enabled debut album Terra Infirma splits his sound neatly into two halves: the first sees echoic guitar language meet traditional song forms, while the second works in repetitions and ellisions, electronic and acoustic. Since then, his sound has expanded across territories, drifting at ease between a range of formal registers — fogged-out turnups alongside Mechatok, drone shows in Parisian churches, sylvan Soundcloud ballads, and collabs with an eclectic constellation of musicians: Chanel Beads, Ivy Knight, Thomas Thatcher, and many more.
Deer park weaves an all-his own sensibility from the chance encounters and horseshoe theories of contemporary microscenes.

dirtythepressa is a Prague based artist well known for his pure energy and heart-wrenching delivery.

Introducing a new project with his friend arty called bringthewaterbacktothevalley.

Their newest record reflects on deeply intimate feelings of love, loss,and longing, pairing the often melancholic, yet always sincere vocal performance of dirtythepressa
with barebones electroacoustic.

DJ KET is a DJ and event organizer based in Prague, with a vision for queer parties where everyone feels safe and accepted - free from prejudice and open to all forms of rave music.

They started DJing in late 2021 and co-founded the queer collective Glitch Katz in mid-2022. Since then, they have continued to grow the parties and gain recognition—not only within the Prague queer underground rave scene, but also abroad, with performances in Bratislava and Vienna.

Their sound combines elements of various genres, including but not limited to hyperpop, trance, happy hardcore, nightcore, and latin club, with main inspirations being PC Music, SOPHIE and 2010s EDM.
They’ll serve you the cutest, cuntiest, and hardest tracks from the depths of SoundCloud, but also get to your heart with tracks that’ll make you cry in the club - you’ll never know what’s coming next but surely you won’t get bored:3

For Angel and Lulu Prost, the sibling duo behind Frost Children, home has always sounded like dance music.The St. Louis-born musicians grew up steeped in the sleek catharsis of golden-age EDM. The duo’s thirdalbum SISTER, out September 12th via True Panther/Dirty Hit, is an exhilarating return to those first soundsthat moved them, echoing with the reverence and refinement of two formidable artists crafting exactly what theywant to hear. But it’s also a striking portrait of Frost Children’s singular creative partnership: as bandmates, asroommates, as symbiotic savants practicing the art of what Angel calls “twin telepathy.” Boldly revitalizing andrevolutionizing a too-often-devalued subgenre, Frost Children have delivered their most forthright and full-bodied identity statement yet. As Lulu puts it: “This is so confidently what we love, and what we breathe.”Melding the sensitivity and songcraft of Hearth Room with the propulsive power of SPEED RUN, SISTER putsforward an arrestingly personal vision formodern dance music that transcends nostalgia and trend-chasing.Delicately weaving strains of emo, electro, and pure pop, Frost Children explore close-to-home themes of co-dependence, consistency, and change, exemplified by the roaring refrain on “Falling”: “Tell me the way to live /I’m falling apart.” For all the uncertainty of thrilling anthems like “Position Famous,” “WHAT IS FOREVER FOR”and rapturous album closer “2 LØVE,” SISTER pulses with the electric energy of two artists confidently revelingintheir element. From the cheeky character study “Ralph Lauren” (both Angel and Lulu worked at the all-American outlet in high school, an early hint to the “dubstep academia” aesthetic they’d foster as adults) to thesample of Hearth Room’s “Bernadette” coursing through “Bound2U,” the duo’s shared history animates everycorner of SISTER’s expansive yet intimate world. “It’s a way to explore what really makes us a unique band,”Angel says of their collaboration across SISTER. “We are siblings that are extremely close that live together…and we can read each other’s minds.”

For Angel and Lulu Prost, the sibling duo behind Frost Children, home has always sounded like dance music.The St. Louis-born musicians grew up steeped in the sleek catharsis of golden-age EDM. The duo’s thirdalbum SISTER, out September 12th via True Panther/Dirty Hit, is an exhilarating return to those first soundsthat moved them, echoing with the reverence and refinement of two formidable artists crafting exactly what theywant to hear. But it’s also a striking portrait of Frost Children’s singular creative partnership: as bandmates, asroommates, as symbiotic savants practicing the art of what Angel calls “twin telepathy.” Boldly revitalizing andrevolutionizing a too-often-devalued subgenre, Frost Children have delivered their most forthright and full-bodied identity statement yet. As Lulu puts it: “This is so confidently what we love, and what we breathe.”Melding the sensitivity and songcraft of Hearth Room with the propulsive power of SPEED RUN, SISTER putsforward an arrestingly personal vision formodern dance music that transcends nostalgia and trend-chasing.Delicately weaving strains of emo, electro, and pure pop, Frost Children explore close-to-home themes of co-dependence, consistency, and change, exemplified by the roaring refrain on “Falling”: “Tell me the way to live /I’m falling apart.” For all the uncertainty of thrilling anthems like “Position Famous,” “WHAT IS FOREVER FOR”and rapturous album closer “2 LØVE,” SISTER pulses with the electric energy of two artists confidently revelingintheir element. From the cheeky character study “Ralph Lauren” (both Angel and Lulu worked at the all-American outlet in high school, an early hint to the “dubstep academia” aesthetic they’d foster as adults) to thesample of Hearth Room’s “Bernadette” coursing through “Bound2U,” the duo’s shared history animates everycorner of SISTER’s expansive yet intimate world. “It’s a way to explore what really makes us a unique band,”Angel says of their collaboration across SISTER. “We are siblings that are extremely close that live together…and we can read each other’s minds.”

Helen Sun, one of 2026’s rising stars, writes songs shaped by love, loss and self exploration.
Her incredible first EP ‘talk with your Teeth’ explores a particular time in her life growing up on the East Coast of the US , a 17 year old Helen coming to terms with the world and becoming who she is now.
Along with her recent double single, Helen’s music explores elements of indietronica and triphop amongst very personal and emotional songwriting.

HORNET is a New Jersey-born, London-based alternative pop singer, writer, and producer. Blending industrial 90s trip-hop with post-genre pop vocals over thrashing beats and bass lines, her sound is instantly recognizable, coated in a sonic trance and impossible to ignore. Since relocating to London, she’s built a reputation as one of the capital’s most exciting rising voices, collaborating with Tommy Wallwork at Strongroom Studios and earning a place in the prestigious Converse All Stars program. This past summer, she debuted her EP 253a wellstreet live at London’s first SXSW showcase, announcing herself as a vital part of the city’s next wave of noise-makers.

Critically acclaimed artist HYD creates dynamic, seductive pop that blends experimental sound with striking visual worlds. Led by artist Hayden Dunham, whose debut album Clearing (2022) quickly gained attention for its bold mix of art, music and performance. Dunham first became known for boundary-pushing art projects like QT and the viral “Hey QT” energy drink collaboration, as well as large-scale public artworks across the world. Praised by critics, W Magazine called Dunham “the art world’s new ingénue,” while The New York Times described their work as “art you can inhale and drink.” With HYD, Dunham brings a multidisciplinary vision into the pop arena, treating sound, visuals and performance as one immersive experience. HYD’s work moves through shifting states — destruction (fire), regeneration (seed), growth (water) and emergence (air) — creating music that feels both emotional and transformative. Her sophomore album HOLD ONTO ME INFINITY expands this universe further, pairing
shimmering pop songwriting with a sense of constant motion and reinvention. HYD’s performances have appeared in unconventional spaces around the world — from rooftops of sky scrapers and caves to museums and festivals — as well as traditional venues. Along the way they’ve shared stages with artists including Charli XCX, SOPHIE, A. G. Cook, Caroline Polachek and Sega Bodega. Drawing on Dunham’s wider artistic practice, HYD sits at the intersection of music, art and community, building a world audiences can hear, see and feel.

I’m Sorry Emil is an emo project formed in the mean streets of North-West London, where members Filip Aleksander Nowicki and Kamil Somani attended secondary school together. When they weren’t on county lines shotting, they were bonding over their shared interest in making music, particularly within FL Studio which didn’t even have crossfading as a feature until 2022.
Years down the line, they met Tess Tuesday McMorrow (dumb name) and Emil found its beginnings as a side project. Inspired by the resourcefulness of bands such as Parannoul and Brave Little Abacus, the group decided to record their self-titled EP entirely at home, blending facets from all waves of emo and beyond. It got 200 ratings on RYM for no reason. Filip is now IP banned from Rate Your Music for telling a mod to 1v1 him Metroid speedrun. Radmehr Hassania.
Recently, they have added a concussion-prone Venezuelan kid from Islington to their lineup to play keys (Emanuel Rodriguez-Ramones). I’m Finchley Central MISTER SONNEEEEN.

The two musicians are opposites in many ways, but that’s one of the things that makes a duo so powerful, especially in electronic music, where you can basically make anything happen. It’s the beauty of modernity, often abused, but so, so, harmonious when treated with care.
Their first solo EP, No Bad Words, is one such project, both purposeful and chaotic as it moves between manipulated vocals and frequencies in ways that are almost entirely unfamiliar, but still somewhat nostalgic, with a vast sound catalog and truly unconventional ways of fusing together ideas.
No wonder they’re booking so many gigs. The city is going crazy for them, and pretty soon, it’s going to be many cities.

i practice saying sorry to you so i can do it in front of the mirror one day are a bunch of friends from all over the world, holding hands and jumping in Leipzig, DE. They’re playing emotional songs made out of infinite sadness, infinite joy, infinite grief and infinite love.
german, bulgarian, venezuelan, chilean, swedish, yenish cries.

Izzy Camina is a multi-hyphenate producer and vocalist born in LA and raised in New Jersey, USA. Shaped by the decay and paradox of Northern New Jersey, Izzy’s ribbon-wrapped odes to the end of the world highlight her devotion to finding meaning in a fractured world. Before actualizing her current solo project, she pursued music production in high school with the aim of beat-making for local rappers. Fast forward to 2026, and her philosophical sensibility and enigmatic post-pop has led to collaborations with Hedi Slimane and earned her a spot on Ninajirachi’s “Mount Rushmore of EDM Producers”. Taking influence from contemporary pop, industrial, hymn, hardcore, post punk, baroque classical, folk, techno and beyond, Izzy’s palette of influence and lived-experience form a singular perspective. Described by NME as “A paean to the saturnalia of youth and all the lows that come after” and described by Glamcult Magazine as “Piercing and cathartic in her liberation”, Izzy Camina extends her hands through the shadow of modernity.

Jawnino is a London-based rapper who emerged with his 2019 underground hit “It’s Cold Out”. Known for blending grime, jungle, and UK rap, Jawnino’s music reflects the gritty, restless energy of London life. His debut mixtape ’40’ (2024) showcases a vivid storytelling style, weaving slice-of-life narratives with an eclectic mix of genres. Jawnino often conceals his identity, adding to his enigmatic persona. His music doesn’t fit neatly into one category, instead drawing from various influences to craft a sound that’s uniquely his. Despite staying in the shadows, he has gained a strong following in London’s underground scene, collaborating with artists like MIKE, Kibo, and James Massiah. 40 explores themes of escapism and the beauty within chaos, capturing the complexities of urban life.

Joeyy is an experimental Christian rapper from Providence, RI now residing in Hollywood, CA. You may recognize his face. He has a hyper-fixation with the flaws that make things beautiful.
He’s Him.

KAVARI was born in Birkenhead, England, and later moved to the Highlands of Scotland in her early childhood. She began performing in her late teens at club nights and raves in and around Scotland, some of which she organised due to the lack of diversity in her local music scene. Her artistic philosophy is rooted in rejecting mainstream electronic music conventions, driven by a commitment to constant reinvention. This defiance challenges the repetition and complacency of the modern music industry. Her approach has gained global attention, cementing her as a key figure in the UK’s electronic underground. Hailed as “The Priestess of the Underground,” her work has earned praise from IDM pioneer Aphex Twin, who called it “some of the most brilliant, most interesting kicking electronic music” to emerge in recent years.

Knives chau are a screamo band from Dundee, Scotland. Carrying on the eccossemo sound originated by bands such as Kaddish and The Fall of Boss Koala, while integrating the heavier breakdowns and melodies of 2000s metalcore.
They are a part of a thriving diy emo scene in Scotland which contributes to the rising crop of bands in the UK as a whole.
Having enjoyed success at home they journeyed to mainland Europe last year for a short run of shows, and are returning this summer as a 4 piece to bring their brand of post hardcore mosh melody to the masses.

La Petite Mort / Little Death move intuitively in the in-between. With DISCO II, they present their most accessible album to date — one that doesn’t consolidate the coordinates between sasscore, screamopop and math rock, but deliberately fans them out even further. The second album by the Frankfurt- and Cologne-based band reflects on growing up and out of DIY scenes that now exist mostly as echoes: screamo and hardcore socialisation of the 2000s, sad-boy aesthetics, performative sensitivity, and the friction that arises when queerness meets spaces that present themselves as progressive but often remain narrowly defined.

London-based Lauren Auder is a British-French singer-songwriter, record producer and composer who stitches together elements of classical, experimental, emo, and rap music into her own strange and hypnotic form of orchestral pop music. With the likes of Celeste, Vegyn, Caroline Polachek, Mura Masa, Boris and Jeshi all on her credits list, as well as composing music for Virgil Abloh’s Louis Vuitton campaigns, and modelling for Marni, Mui Mui, Gucci and Celine, Auder has cemented herself as an auteur across the worlds of music and fashion.

Auder released her long-awaited debut album ‘the infinite spine’ in 2023 via True Panther which documented how the weight of the world can transform you and was dubbed “heartbreaking pop music” by Pitchfork.
Auder’s sophomore record ‘Whole World As Vigil’ was released on untitled (recs) on March 27th 2026 to critical acclaim, garnering strong support from BBC 6 Music, Pitchfork and other major music press.

Lilboyblb (CZ) is a Prague based musician/artist/producer/DJ…
His live performances, full of emotional creations, will touch your soul. His internet game was up and running before you even ventured into the waters of alternative music. He shines bright even without lights, not even a strobe outshines his radiant white smile, spreading everywhere he goes. Swag isn’t the only thing he carries on his shoulders — but what’s in the secret bag beyond that?! Come see for yourself…

Global (DE) (also 50% of EDM duo Sodomland) serves as the sonic asset of Berlin’s DJ, producer and sound artist Bill Victor Hartenstein. Tracks like ‘Every Time I Sip On Codeine, I Get Vulnerable’ and ‘It’s Hard To Do These Things Alone’ highlight the use of the Musical Collage as core Musical Form. Djing as a DJ!

Coinman46 (CZ) is a Prague based artist+producer+DJ+musician+sc connoisseur tied to A.M.180 gallery’s musical ventures.
Sound: eclectic
Haters: zero
Lock: in
… also djing as a DJ!

Marlon DuBois is an avant garde polymath rapper, producer, director and performance artist, from ~ two hours north of NYC. He is known in the global underground for being the founding member of Shed Theory, a 10-membered east coast rap crew, incubated and emerging from a literal shed, in the woods of Woodstock, NY. While STe started to take shape in 2021, Marlon (né 2001) has been constructing digital media since kindergarten.
his work leans far more experimental and genre-oblivious than most of his predecessors. He has toured extensively since 2022, domestically and overseas in Japan, Australia/ NZ and EU/UK. Thus far Marlon has been remarkably self-produced and self-taught – recording, mixing and mastering most of his own, and much of Shed Theory’s members’ output.
He has been featured on songs with XAVIER SO BASED, Surf Gang, Smokedope2016, Bby Goyard, Bloodz Boi, Daine, and extensively with Joeyy, an early breakout Shed star. Marlon is also a highly rated video director, collab’ing on nearly 100% of he and Shed members’ MV output, additionally, he’s worked on video productions with Haunted Mound, and phreshboyswag. His most recent solo albums, 2025’s pair - Boggy and Stereotype - are simultaneously his most realized works to date.
Beginning June 2025, Marlon will team up with End Overdose for all of his U.S. based performances. EO is a national 501(c)(3) nonprofit organization committed to ending drug-related overdose deaths. End Overdose representatives will provide on-show/site training, and free naloxone at Marlon’s shows to educate young people on how to prevent and respond to opioid overdoses.

More Eaze is the project of Brooklyn-based sound artist and multi-instrumentalist Mari Maurice. Ranging from ambient pop to folk and musique concrete, her numerous solo and collaborative releases weave mundane, everyday sounds, acoustic orchestration and instrumentation, and electronics into adventurous textural compositions. Her music explores themes of intimacy, yearning, Americana, and the transformation of abstract feeling into intense living through compositions that move seamlessly between the banal and the ethereal. She has recently released work with Thrill Jockey, 15 Love, Longform Editions, Leaving Records, Ecstatic, and Orange Milk. Her work as a string arranger, pedal steel player, and producer has recently been featured on recordings by Martha Skye Murphy, Water Damage, Lomelda, Fashion Club, Claire Rousay, Space Afrika and Rainy Miller, and Nick Zanca amongst others. She regularly performs in the duos Pink Must (w/ Lynn Avery) and whait (w/ Wendy Eisenberg).

Glasgow Heartcore (Emo)”
My Rushmore is a four piece emo band originating from Glasgow and are prominent fixture in the UK’s growing underground scene. They represent what’s to love about the Scottish emo scene, and the UK emo scene at large - unwavering dedication to diy ethos and ethics.
The band has been consistently gigging and touring since their 2024 release “Tell Everyone We’re Dead”. An emo record that blends 2000s Screamo attitude and 2010s revival tone, it reflects how young, naive and passionate the members were and its bleeds through every song.
My Rushmore now labels themselves as Heartcore, a term which was paraded around to mock and describe emo bands coming up in the late 90s early 2000s. This label change reflects the shift in attitudes within the band and a pivot to a more mature, thoughtful and developed sound moving forward.

Nokia Angel (aka Angel B.) is a self-taught Swiss singer, rapper, and producer, born in Paris. An essential voice in the new wave of underground electronic rap, he fuses the atmospheric drift of cloud rap with the dark, cinematic tension of witch house — creating a sound that is at once timeless and resolutely modern.
A key member of the Midnight Boys collective, Nokia Angel writes, produces, and mixes all of his own music. His production palette draws on heavy sub-bass, abrasive lead synths, ethereal vocal samples, and breakbeat rhythms that bridge 2000s electroclash, the SBE/Drain Gang aesthetic, and contemporary trap.
He emerged in 2023 before releasing the EP Born Angel (March 2024), which immediately drew comparisons to Bladee and 2hollis. The collaborative single “Sleep” with smokedope2016 marked a turning point, earning a 90/100 score on Album of the Year. His 2025 album In Haze — 7 tracks of lush, atmospheric production — confirmed his status among the most captivating emerging artists of the underground scene.
In fall 2025, Nokia Angel co-headlined The Peak Tour alongside smokedope2016, playing sold-out shows across North America and Europe.

Split between France and Quebec, Ouri conjures music that occupies a remote island at the edge of electronica, glitch, Fourth World, dream pop, and bass. She engineers, mixes, and masters everything herself, shaping tactile and often nocturnal sounds that shift just as they seem to settle.

With Daisy Cutter, Ouri propels her project further, building a world out of a radical experimentation with desire, discipline, and intimacy. What began as a practice of letting everything flow without judgment grew into a study of freedom’s contradictions: the pull between safety and risk, commitment and release, control and surrender. The album’s title, Daisy Cutter, carries this duality. Borrowed from a bomb, devastating and absolute, it also evokes the delicate act of trimming a flower. Ouri keeps both in play, moving between sweeping force and precise gestures. Out of this tension arises music that feels both intimate and insurgent.

Parasol is a Gadigal-based producer with an interest in all things wistful, cathartic and emotionally overwhelming. He made his debut on the Arca-led community V/A project Mutants Mixtape, contributing to the penultimate and final volumes where his tracks served as the opener and closer. In 2021, Parasol released the mixtape 1800-PARASOL on Sydney netlabel Midheaven, which offered a brief glimpse into his unique vision of drumless trance and bubblegum bass. Since then, Parasol has also released singles on Mizuha 罔象 and Gud Serben.
Recently in May, Parasol released an expansive second full-length project, ‘End Sky Atlas’, on cult-favourite experimental label Orange Milk Records, that has seen his sonic interests deepening from traditional trance timbres towards more organic and orchestral textures. Themes of rebirth and rediscovery underlie the album, with a certain kind of euphoric melancholy permeating most of the songs. The record also features a wide array of Parasol’s friends and peers in the internationally emerging ambient trance scene, including TUNA DISPLAY, plastic pet, s7n, Lorenzi, Katie Dey, Himera and Azrel.

Patch + is a project led by Alex DeWahl and Franklin Wallace, with additional contributions from Ezra Kahn and Christian Vartanian. After meeting in art school, DeWahl and Wallace founded Scissor Studio in 2017, a multidisciplinary design practice spanning art, design, and technology. Patch + is considered part of that broader practice, carrying the same collaborative and exploratory ethos into music.
Patch+ returns in 2026 with Series A, a bold progression of the outré post-punk and minimal synth sensibilities first explored on 2023’s WhitePaper. Building on that album’s fusion of cooing downtempo melodies and bit-crushed electro-pop, Series A pushes deeper into the unknown. Vivisected guitars, driving bass lines, and the duo’s signature ghastly vocals converge in a dense, exhilarating soundscape that challenges and expands the boundaries of American pop music.

Formed in Leipzig in 2024 and inspired by the emo sound of the ’90s, the international quartet combines diverse musical backgrounds into a versatile and emotionally charged sound. Their debut EP “I Won’t a Friend” was released in June 2025 and deals, among other things, with processing childhood experiences and growing up. Since then, their sound has noticeably evolved – the newer songs are more playful, heavier, and lean further into screamo. The band is currently working on their second EP, which is set for release later this year. During the recording process, they aim to capture their sound as raw and authentic as possible, staying true to the energy and emotional intensity of their live performances.

Building off the strengths of their critically acclaimed works, POISON RUÏN return with their new album, Hymns From the Hills. The Philadelphia Punk band have developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.
The band’s vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work. On this newest offering, their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry- One populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN’s trademark sound and a departure from it- The crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to are buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN’s sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos.

Proc Fiskal is a Scottish electronic musician and DJ based in Edinburgh. His focus is fwd-thinking, futuristic club and experimental music - revelling in extreme genre diffusion and the pushing of new phenomena across worldwide dance music.
2025 has seen Proc Fiskal launch his own label Shleekit Doss - spawned from the long running Edinburgh clubnight of the same name - and release the EP, Canticle Hardposte, alongside an acclaimed video made in collaboration with Finn Rabbitt Dove for the track uHazsh.

Elijah Young, professionally known as RealYungPhil, is a rapper from Bloomfield, Connecticut. He initially emerged with lie-feet inspired records rooted in New York’s sonic influence before expanding his sound after relocating to Los Angeles in 2020, where he began collaborating with producers including evilgiane and Dylvinci.
His work with Gud, Woesum, and Yung Sherman on the 2003 project Victory Music marked a defining moment in his catalog, helping solidify his position as a distinct voice within the underground rap landscape.
Following the release of his 2005 EP Far From Home, RealYungPhil is set to return with a new EP on June 2, 2026, counting his steady evolution as an artist.

Samba Jean-Baptiste is a songwriter and composer whose music bridges a classical cello background with electronic production.

There is nothing else like unh0lyDanceMusick because it has only one creator, saraunh0ly. Her music satisfies a void left by nostalgia: grounding old-school kicks and disorienting instrumentals clash beautifully with angelic vocals and thoughtful poetry that soothe inner angst and invite your body to dance. This combination evokes the uncanny feeling of discovering something you didn’t realize you’d been craving your whole life with every new release. Born and raised in NYC, saraunh0ly brings the raw intimate feeling of NYC’s DIY scene to every venue, creating an environment where everyone feels free to move their body to the sound —feeling her heart with every kick drum.

Sassy 009 is the shape-shifting project from Oslo-based producer, songwriter andvocalist Sunniva Lindgård. After finding early acclaim as a trio with 2017’sDo You MindEP, Sassy 009 rebooted as a solo vehicle in 2019, later evolving into 2021’s sultry, bass-drivenHeart Egomixtape.But for Lindgård, the forthcomingDreamer+is her true debut:a concept-driven albumpieced together from nearly four years of studio effort, and an ambitious attempt to takecomplete control of her artistry. Steered by freshly distorted vocals and elements ofgrunge, shoegaze, ‘90s beatronica and gauzy hyperpop, the album is a record of self-discovery and self-effacement at once, studded with guest contributions from BloodOrange, BEA1991 and Yunè Pinku.

Ship Sket subverts and perverts expectations of the uk underground sound with equal measure. Known for his diabolical rap ‘Ed1ts’ and his relentless high-energy sets, his approach to the mix gathers a delirious momentum, tearing through noisy contortions of drill, grime and rap alongside his own tracks: uncompromising productions that drip with style. His debut full length record ‘InitiatriX’ was released Halloween 2025 on ‘Planet Mu.’

Shoplifting1080p is the full-formed, HD, live version of Jamie Penn’s bedroom project ‘Shoplifting’. Based in London, England, and blending everything from shoegaze and ambient to breakbeats and grime, Shoplifting masterfully crafts these on his device of choice: the Nintendo 3DS.
Heavily inspired by fifth wave emo and growing up in the age of the internet, his work lends itself to what some describe as ‘digital nostalgia’ - the sound of fuzzy, lo-fi beats through the tin can speakers of early handheld consoles.
As the 1080p version of songs, the impressively immersive performance sees Will Moore appear on drums, with Jamie doing vocals and guitar, backed by room shaking sub bass and hardcore breaks.

Kamixlo presents his new live project The Mass Transit Incident

Truck Violence (Montréal, QC) is a medley that wails its way through the bitters of modern Western Canadian hardcore and folk, an honesty and shamelessness in disappointment that is both a comfort and a stern regard. Starting in 2021 with a move from the prairies of Alberta to Montréal, guitarist-banjoist Paul Lecours and singer-poet Karsyn Henderson, from sticks to city, have had to adapt whilst maintaining roots and authenticity. Also informed by punk, shoegaze and sludge, their unique sound is the product of a multiple-project span that saw an array of sonic changes, including through prior incarnations, No Cru5t and Truck. With the full-length release of Violence (July 5th, 2024 via Mothland), the route is set for the outfit’s crashing ode to their roots and violent betterment to continue at full speed. Aiming to embrace the catharsis of hardcore, while commemorating their roots in folk and country music, this debut long-player from the Montréal four-piece is concerned with the all-too-hushed addiction, abuse and dysfunction in isolated country families. Highly recommended to fans of Show Me the Body, Chat Pile or The Chariot.

VMO is an extreme art-music project from the fictional planet HELVETECH, year 2099, combining techno, black metal, industrial, noise, gabber, blinding strobes, and heavy smoke. Often described as black metal meets Kraftwerk — Aphex Twin in corpse paint, the group is known for overwhelming AV performances and extraordinary power consumption, reaching up to 5000W live.
Formed by members adopting names of black metal bands and visual director KEZZARDRIX, VMO later expanded with vocalist Zastar. Their debut album Catastrophic Anonymous featured Chip King of The Body, SUNN O))), and Attila Csihar of Mayhem, followed by the 2024 album DEATH RAVE, with contributions from Attila Csihar, Kælan Mikla, Dylan Walker of Full of Hell, and Ican Harem of Gabber Modus Operandi.
VMO has performed internationally at Roadburn, Bang Face, Brutal Assault, Le Guess Who?, CTM/Berghain, DARK MOFO, SOFT CENTRE, Sónar, Roskilde, NEX_FEST, MUTEK Tokyo, and Boiler Room. Their work has also appeared in contexts of contemporary art and media performance, including collaborations connected to Tianzhuo Chen, Chim↑Pom, and VR project DIGITAL AFTERLIFE AGENCY.
Their current project, RAINBOW FROM ANGEL CORPSE, continues the evolution of DEATH RAVE into an immersive, multidisciplinary performance where body, brain, hallucination, black metal, rave culture, and apocalyptic light merge into what the group frames as a new substitute for religion.

Xavior™ is a Paraguayan multidisciplinary artist, DJ and producer based between Vienna and Tokyo.
Sets built from post-club, hardcore, dubstep, EDM and global bass music, cut through with pop cultural references and rapid, high-density selections.
Releases on Ashida Park, Cuntry Club, AUX and Vain Records span cloud pop/rock and club-focused productions.

Zaffer 9 brings tenderness into aggressive chaos, crafting a sound that is as confrontational as it is deeply emotive. Their music fuses aggressive beats, witchy synths, and post-club electronics with visceral vocal delivery that oscillates between spiritual chant, folk-inflected singing, and raw, punk-like screams. The result is a tense collision of intimacy and disruption, where vulnerability is masked by sonic brutality.
Zaffer 9 have established an international presence with appearances at Dancity Festival in Italy, performances in Ljubljana, Slovenia (including the MENT Ljubljana), and Fengaros Festival in Cyprus, in addition to an extensive performance history across the Czech Republic and Slovakia.