300SkullsAndCounting is the solo bedroom project of London based multidisciplinary artist, Hal Hewetson (member of the band Mitsubishi Suicide). Using Casio keyboards, screamo vocals and confiscated toys, 300SkullsAndCounting delivers cute & crazy music that he defines as ‘Cy-Baroque Anti-Folk Pop Violence’, or simply put, ‘Midlands Emo Rage’: a digital collage of nursery-rhyme-esque melodies, iconic samples, and evil spasms. After having successfully crowdfunded a blood-splattered keytar, the artist goes on tour with it alongside The Dallas Cowboys this July, finishing at Creepy Teepee for 30 minutes of digital bloodshed.

@39.2769n_46.6765e

A pioneering musician with a CEO mindset, Alice Longyu Gao has proven themself as one of contemporary music’s most uncompromising and pioneering names.
Remaining indefinable has proven to be one of their most formidable strengths. ALG forged a path for themselves by channeling unfiltered humor and rage into their energetic work. Alice strives to open portals to their past, present and future through their work, a nonlinear journey reflected upon their debut trilogy, consisting of EP 1: High Dragon And Universe, EP 2: Let’s Hope Heteros Fail, Learn, and Retire, and EP 3: Assembling symbols into my own poetry.
Bending genres and styles by their own design, tracks such as ‘Come 2 Brazil’ and ‘I <3 Harajuku’ have become anthems for a hyper-online community searching for an experimental punk-minded take on pop music far away from the convention of what’s expected from the genre. After an unconventional approach on “the future of music” in the form of Oli Sykes of Bring Me The Horizon collab ‘Believe The Hype’ in 2022, ALG went on tour with Danny Brown and released a cinematic collaboration with Danny named “Bird W/O Nest.”
Alice Longyu Gao’s unique approach and fearless creativity continue to make them a standout presence in the ever-evolving landscape of modern music.

@alicealice916

Anika (Annika Henderson) is a hybrid artist known for experimental sound collages, provocative texts, and distinctive live performances. Breaking through with her cult 2010 LP, Anika, recorded with Bristol’s Beak>, she gained acclaim for tracks like her iconic cover “I Go To Sleep.” Following 2021’s emotive Change, 2025 marks the arrival of Abyss, recorded live at Berlin’s legendary Hansa Studios—a raw, visceral exploration of release and rebellion.
A founding member of Exploded View, Anika has collaborated across disciplines with Tricky, Jim Jarmusch, Gudrun Gut, Shackleton, Clark, n.b.k Gallery Berlin, Jil Sander, and more. She blends dub, post-punk, and psychedelic elements, creating powerful spaces defined by honesty and intensity.

@annika.henderson

Empty streets, fading streetlights mark the boundary between familiarity and wilderness. Seasons have swept through, memories scattered by shifting winds. Everything once known now feels strangely unfamiliar. It’s about longing for things whose time has passed—stepping out of the madness of past years and embracing vulnerability.
Black Tar Jesus, guitarist Tomáš Kopáček’s evolving project, returns after five years with the new album Aftermath. Produced with Filip Míšek, the record blends ‘90s French emo-inspired guitars and atmospheric electronic textures, with vocals emerging from beneath the noise to guide listeners through its intimate depths.

@blacktarjesus

Casey MQ is an artist, composer, and producer from Toronto, now living in Los Angeles.
Growing up, Casey’s adoration for pop music intersected with his training as a classical pianist. As he got older Casey began to work more closely with electronic music. In 2020, he shared his debut album, babycasey, which gave voice to songs seen through the lens of childhood. The release coincided with various film score work, collaborations with artists such as Oklou, Eartheater, and Shygirl, and his co-founding of the Covid-era queer virtual club, Club Quarantine. Casey’s gifts as a producer and songwriter are rooted in textural world-building and the excavation of personal truth. On his latest album, and Ghostly International debut, Later that day, the day before, or the day before, he questions what is true entirely, understanding our mind’s tendency to bend and project onto pictures of the past. Across vivid, baroque pop balladry, Casey MQ reorients his recording project and point of view under the notion that memories are malleable. All the joy, pain, love, and loss housed within remembrance is open to interpretation and deconstruction, which he does deftly, with curiosity and complete artistic freedom.

@caseymq

Canadian performance artist / musician COMMUTED has developed a cult following in DIY spaces, squats and secret locations all over the world. He is known for an idiosyncratic performance style where only 10% of his time is spent on the stage and audience members are pulled into the show. He’s been doused in ketchup and mustard, performed on construction vehicles outside of venues, explored every nook and cranny of each space he’s arrived at. Beyond that, his raw, emotional music is made to bring walls down and expose vulnerability, with 5 LP’s and an upcoming 6th, the forthcoming “Life Is Hell,” each performance is set like a narrative paced theatre piece.

@com_muted

Bursting onto the scene with her raw talent and fearless authenticity, Cortisa’s music blends hard-hitting rap with powerful storytelling, making waves online and earning her a plethora of co-signs from Charlie XCX to Lil Nas X and many others. Known for her unapologetic lyricism and unique sound, she’s been recognized for pushing boundaries in both her artistry and her identity as a trans woman in a space that’s often resistant to change. Cortisa’s recent viral success is a testament to her undeniable presence and the magnetic energy she brings to every track. Her latest single “Fun” is making significant waves online after her viral “From The Block” performance, earning her press features on The Fader, Out Magazine, Dazed and several others while garnering over 5 million global streams independently.

@cortisastar

Where has the Newfound Interest In CT gone?

Nowhere, and it only took them nineteen years.

Newfound Interest In CT. is a Post-Rock/North-East Emo band from Toronto. Formed in 2000, they played DIY shows with bands like Alexisonfire, The Dismemberment Plan, Death From Above 1979, Appleseed Cast, the Constantines, and the Arcade Fire. The band’s final show in 2005 was also the official release of their debut LP ‘Tell Me About the Long Dark Path Home’.
Against all odds, the album found its audience online years later which led to the album’s repressing on vinyl in 2021 and launch on streaming. The summer of 2024 marked their official return with performances in Philadelphia and New York, and their first performance back at a hometown Toronto DIY fest New Friends. At that same festival, they became friends with Radura and Treehouse of Horror who they will be playing shows with in Europe summer 2025.

@newfoundiiconnecticut

“It clicked for me one day that the album was going to be about hornets,” explains Sputnik, the artist behind noise-pop project Weatherday. Hornet Disaster, their expansive follow-up to 2019’s Come in and 2022’s collab Weatherglow, showcases Weatherday’s trademark urgent, noisy, and playful sound, now evolved with new sonic textures—from emo anthem “Angel” to the folktronica of “Ripped Apart By Hands.” Inspired by hornets’ chaotic beauty, the record buzzes with unpredictability, wonder, and joyful abandon.

@weatherday_pc

Based in Dublin, Belfast, and London, Irish intersectional feminist firebrands M(h)aol — Constance Keane (She/Her), Jamie Hyland (She/Her), and Sean Nolan (He/Him) — have built a reputation for thrilling live performances, fostering an atmosphere that encourages community and catharsis regardless of where they play.
Signed to Merge after an electric SXSW set, M(h)aol follows the North American reissue of their acclaimed debut Attachment Styles and recent single “Pursuit” with “Snare,” a noisy and driving song that fiercely challenges gender expectations with sharp wit.
“‘Snare’ is about countless conversations I’ve had since my first drum lesson on my ninth birthday about how bizarre it is that I play that instrument, or how I should be doing it differently,” explains vocalist and drummer Constance Keane. “The idea of society gendering an inanimate object like a drum kit, when it’s something that brings me so much joy and release, has always frustrated me hugely, and I thought it was time to sing about it.” The Dublin-based band’s music consistently explores social connection, queerness, and healing. Their celebrated 2021 EP Gender Studies confronted structural oppression faced by women and gender minorities, establishing M(h)aol as a powerful voice within contemporary post-punk and feminist discourse.

@mhaolmusic

Baby Jane is an independent electronic artist from Los Angeles, merging witch house, hardstyle, and ethereal pop into a sound uniquely her own. Born to Soviet immigrants, she left high school at 14 to pursue music full-time, later studying production to refine her sonic vision. Early influences include melancholic 1980s Russian pop, which she weaves into emotionally rich, genre-blurring songs.
Overcoming a childhood lisp, she developed a raw, intimate vocal style that gained traction on TikTok and Spotify, where she now nears a million monthly listeners. Occasionally singing in Russian, she adds depth and cultural resonance for her family and fans alike.
Her work is anchored in a self-made mythology called Terem, with fans aligning themselves with one of three archetypes — The Cowboy, The Warrior, or The Goddess — via an online quiz. This universe informs her music, visuals, and growing community known as The Coven.
After nearly quitting music, the isolation of the pandemic and her time as a DJ in LA’s underground techno scene led to the birth of her “gothic house” sound — cinematic, distorted, and deeply emotional. In 2025, she released a string of singles ahead of her debut album, A Grave Marked Strange, out June 13.

@babyjanelives

Greetings from the rotting sound of my surroundings. Don’t walk through this two-faced city alone. Only anthem is the one produced by hot asphalt and a bottle of fresh liquid.
Welcome to a world of filthy demotivational cheers, raucous chain stomp, lower frequencies of motorbike gang, and smoky saxophone leather.

@stres.group_prg

Wasted Days @wasted_days___ is a solo noise ambient project from Prague. Rather than relying on instrumental performance, Wasted Days works with fragments—recorded gestures, melodic phrases, or percussive textures—sculpted into long, escalating patterns and modulated bodies of sound. Loud Noise, Abstract Sound. #noisepa*ty

@wasted_days___

Treehouse of Horror is a band from Toronto, Ontario, Canada, that formed sometime in 2020 in the midst of the COVID pandemic. What started as a midwest emo amongst three pals (Ryan on vocals/guitar, Marco on bass/backup vocals, and Alex on drums/keys) eventually spiraled into a mishmash of emo, skramz, post-rock and jazzy influences to form their current sound. Today, their sound fits best under the umbrella of emo, while still managing to stay on the fringes of the genre.

They kicked their career off with their 2022 demo debut, Songs We Wrote, an EP consisting of four songs written over the span of one long year. This was shortly followed up by a split, “What Good Does Getting Angry Do?”, with fellow Toronto cohorts, boxcutter, and Please Don’t Crash, which explored a more aggressive and direct sound. Their most recent EP, “because our days are numbered…”, follows the trend of their previous releases, while delivering a more excited and colourful sound. Common lyrical themes explore topics such as gender dysphoria, dissociation, and isolation.

Over the last summer, Treehouse of Horror played a US tour with their pals from Italy, Radura, as well as New Friends Fest in their home city of Toronto, where they were introduced to Newfound interest In Connecticut, whom they will be touring Europe with this summer.

@treehouseofhorror.mp3

The Dallas cowboys are two guys from god knows where who have taken it upon themselves to make some of the the most edgy music possible while still following all international media laws. Their influences include the Beatles, Eminem, Green Day, and Bo Burnhan.

@thecowboysfromdallas

London based supergroup featuring Mary Mousetrap on vocals, Wounder on guitar, Kaminito on electronics and In Heaven Everything is Fine on bass. Performing live and improvised pieces combining doom metal, drone, industrial, goth and psychedelia.

@marymousetrap @__wounder @balaxclub @kamixlo

French-born and London-based, ultra caro (formerly caro♡) is an artist, producer, and vocalist known for her work with cult label PC Music, founded by A. G. Cook. After fronting PC Music’s neo-shoegaze band Planet 1999, she launched her solo project, crafting dreamy, experimental soundscapes that blend melancholic synth-pop with haunting beauty.
Her self-produced music merges ethereal textures with introspective storytelling, drawing on the French Riviera, youthful fantasies, and the balance between optimism and longing. Tracks like ‘hide me here’ and ‘Moonrise’ reflect her signature sound—from intimate instrumentals to stripped-back productions. She has collaborated with A. G. Cook, Charli XCX, Hannah Diamond, Erika de Casier, and daine.
This spring, she unveils her new double single “counting sheep” / “my love would never fade” under the name ultra caro. The main track is accompanied by a video directed by Amal Guichard and Vickie Chérie.
The new material reconnects with her early shoegaze roots—she previously supported Slowdive on tour in 2018 with her band Dead Sea—while integrating the sound design and production techniques developed during her time with PC Music. Blending dream pop, trap basslines, and cloud-rap atmospheres, ultra caro continues to redefine experimental pop.

@ultra_caro

With a first credit on Charli XCX’s seminal mixtape Pop 2, he was quickly recruited by A. G. Cook to co-produce the highlight track »I Got It«. The release of his debut EP search result on Cook’s PC Music label revealed his strength in merging intense, bass-heavy sound design with earworm melodies from a lineup of the internet’s most influential vocal talent including Lewis Grant & Laura Les (of 100 gecs). umru’s work has gone on to excel in and help define the emerging space right between underground & pop, from his star-studded 7-minute »movinglikeazombie (remix)« with ericdoa (named one of the best tracks of 2020 by NPR) to production for Yung Kayo, Caroline Polachek, Tommy Cash, or Fraxiom, to his sound cache sample pack series that has become an industry staple, extending beyond his own productions as a defining sonic influence on modern music production.

@umru

Svaz is a Prague-based European-rock project and part of the art collective 6kO (@sest_tisicu_ovecek). The band’s aim is the evocation of the personal and collective experience through fully live-performed music. Drawing from many different genres, Svaz merges all of them into their uniquely personal sound. #musicforsensitiveboys

@sest_tisicu_ovecek

Petr Bursa is a Prague-based artist who blends experimental electronics with emotional, glossy club pop. His sets combine auto-tuned vocals, rich synthesizers, and nostalgic melodies. His debut EP was released by BCAA System in 2024.

@petrbursa_

“I didn’t feel like being introspective,” says Laetitia Tamko of her playful and adventurous new album Sorry I Haven’t Called. “I just wanted to have fun.” As Vagabon, Tamko is no stranger to reinvention. Following her intimate 2017 debut Infinite Worlds, the New York artist favored expansive and evocative electronic textures in her breakthrough 2019 self-titled follow-up. But her latest LP , which is out September 15 via Nonesuch, feels like a wholly new era for Tamko, one that’s transformational and uncompromising. Across 12 vibrant tracks she wrote and produced primarily in Germany, she channels dance music and effervescent pop through her own confident sensibilities. These conversational songs are alive and unselfconscious, a document of an artist fully embracing her vision and reclaiming her joy.

@vagabonvagabon

bloody shield is a Glasgow-based rap artist and producer with roots in Cloud Rap, Hip Hop, Grime and Folk music. Raised in the county of Fife, Scotland, his sound and subject matter reflect a wide spectrum of artistic influences and personal experiences.
Releasing work since 2016; bloody shield has amassed a cult-like following, growing steadily and reaching listeners who connect with the emotion and authenticity of his work. With the release of his LP Glory Music in April 2025, bloody shield has reached a new level of recognition and is now setting his sights on the world, while staying grounded in his identity and representing his homeland—Scotland.

@bloody1shield

Brixton born and bred producer, artist and DJ, Kamixlo’s music lies at the riveting, emergent edge of grime, reggaeton and experimental bass. In 2015, Kamixlo founded the legendary underground co lective Bala Club. With Bala club nights, he established an inclusive operation with its own unique style of cross-genre post-club music for the margins. His first commercial release, 2015’s Demonico EP, was on Visionist’s Codes X Pan imprint. Kami went on to release two more EP’s on his own Bala Club imprint, and in 2020, he dropped his debut LP for PAN, Cicatriz, meaning scar in Spanish. DEATHWORK, also released on PAN, Kamixlo’s latest LP, was released in July 2024, “reawakens the spirit of Bala Club by caling on past colaborators to blur the boundaries between nu metal and industrial reggaeton” (Resident Advisor). Kami has worked with a large pool of singers and producers at the forefront of electronic music, including: Evian Christ, Bladee, Felix Lee, Woesum, Isabe la Lovestory and Yung Sherman.

@kamixlo

Often credited for bringing cloud rap back to life, Virginia rapper and producer smokedope2016 stands out as a visionary. Little is known about his personal life however, as he prefers to keep his public and private lives separate, rarely sharing details and often blurring his face in videos, social media posts, and album covers. Fan speculation, on Reddit particularly, is very common, with people frequently trying to figure out more details about his personal life. As he told the Masked Gorilla podcast in February 2025, he had traded his welding job for a full-time music career in summer 2024.

smokedope2016’s dreamy and nostalgic musical style has often been compared to Black Kray, Eric Dingus and Yung Lean, all artists known for their experimental, ambient sounds that shape the underground cloud rap scene. “Experimentation is necessary to grow artistically, which is crucial for any artist’s longevity”, an idea truly reflected in his discography.

@smokedope20166

KELPY CATHEDRAL is a New York-based experimental pop musician. Their music is high-velocity transgender reckoning, inspired by Long Island nostalgia and the desire to transmute personal grief. They create polyvocal landscapes, weaving together sampled melodies from popular culture, loud emotive vocals, and waves of dissonant noise. KELPY CATHEDRAL released their first album I WANNA BE ON TV in August 2024.

@gay.jelly

Crywank are an experimental anti folk band from Manchester, UK. They’ve been self releasing music for 15 years and operating on the outskirts of the music industry. They hold the unofficial record for most cities played in 24 hours (16 shows) and despite being self-managed and unsigned have performed in over 40 countries around the world.

@crywank

Petal Supply is a Canadian producer, songwriter and vocalist from Victoria, BC. Her distinct style glues together elements of trance, hardstyle, and breakcore with bouncy, elastic sound design in a cute, high-pitched pop context. After only a handful of releases, the “909 Worldwide” member rapidly built momentum in the experimental pop scene, collaborating as both a producer and vocalist with artists such as Himera, Laura Les, Umru, and Rebecca Black. Her 11-minute single “1” ranked 22nd on NPR’s top 100 songs of 2021

@petalsupplyco

From Montréal Québec, Shadow Wizard Money Gang is at the frontier or extreme and experimental EDM & nuclear infused production. Expect a nightmarishly energetic set of ear piercing hardcore music, and of dark incantations. We Love Casting Spells.

@loukatessierartiste

Across his projects, he has steadily mapped out a unique sonic terrain, weaving intricate synth textures and a sharp instinct for radiant, melancholic melodies with seismic bass and glistening distortion. His restless drive to elevate along genre axes has led to contributions on landmark releases like Playboi Carti’s MUSIC and FKA twigs’ EUSEXUA. Beyond his solo work, spanning more than 4 album, he closely collaborates with an international circle of kindred musicians — including Evilgiane, Suzy Sheer, Eera, umru, and sv1 - and has contributed music to ad campaigns, video games and short films.

@1djheroin1

BearCloud is a new music project, led by young producer and multi-instrumentalist Šimon Havelka (born in 2008), is releasing its debut album titled “FAVES.”

The project, created during 2023 and 2024, is the result of Šimon’s desire to connect various musical genres and create music that resonates with both deep emotional intensity and experimental elements. “FAVES” – Favorite Songs, Favorite Genres
The album title “FAVES” reflects the artist’s personal story and musical taste. “It has always been my dream to merge the genres I love. On ‘FAVES,’ you can hear various musical influences that have shaped my work,” says Šimon Havelka about his debut. He drew inspiration from artists and bands such as Akron/Family, Panda Bear, Neutral Milk Hotel, and Bon Iver.

@havelka_simon

Heartcoregirl is a Glaswegian lullabyvocalist, & visual artist . Her music which has been described as ‘shoegaze trap’ , is a world of dreamy vocals soundtracking the soft and harsh moments of life.
Heartcoregirl collaborates with a range of artists notably Boysinblush guitar heavy production (nyc), and has taken her intimate live performances ,with doll- like imagery video montage, across the world from Tokyo to New York City .

Heartcoregirl ( ^ω^ )

@heartc0regirl

Worldpeace DMT, the cutest band in London.

@world.peace.dmt @rowanpls

Anna Luna is an independent singer, songwriter, and producer originally from Michigan. Her music blends ethereal vocals with lo-fi electronic textures, drawing from genres like bloghouse, witch house, ambient, and experimental pop.

In early 2025, she was featured by Nina Protocol in their “Best Songs” series, spotlighting her haunting single “Skin.” The feature highlighted her eclectic influences ranging from doo-wop to dream pop, and emphasized her unique ability to channel nostalgia through futuristic production.

Anna Luna’s sound is rooted in internet-era aesthetics-moody, atmospheric, and distinctly DIY. Her work resonates most with underground music fans and listeners drawn to emotionally charged, genre-blurring sonic landscapes.

@4nna1una

OLTH IS THE TROGLODYTIC, PALE, REFUSE OF THE HUDSON VALLEY, NORTH JERSEY AND NORTH MANHATTAN, TAKING IMPOTENT REVENGE ON SOCIETY. COUNTLESS DISAPPOINTMENTS COMPOUND INTO A BAD-NATURED TORRENT OF ROMANTIC YEARNING, DESPERATE YAWPING, AND RED EYED WRATH.

@olthcreativefreedom @sean_kenn3dy @olthgram

plus44Kaligula is the stage name of songwriter, producer, composer, and performance artist Cally Statham. With influences such as David Bowie, Beth Gibbons and Aphex Twin informing her song craft and performances, Statham’s sound is one of dark, dramatic impulses and strange, compelling juxtapositions - bold vocals reigning over collagist productions of liquid textures that beckon a host of seraphim to song. A deep theatrical sensibility is felt in plus44Kaligula’s music, albeit grounded in the very real, earnest quality of her call. With set design by Emmanuel Biard (Evian Christ, Trance Party, Moon Duo, Aisha Devi), plus44Kaligula’s performances interlock spectral, experimental pop with immediate and studied physicality of movement and voice - making for a true wonder of sound and vision.

@plus44kaligula

Raised on a combination of punk, theater, and noise, Emme fuses harsh vocals with
heavy, detailed lighting and sound design for immersive performances that touch on
themes of death, tragedy, and horror. Originally from Los Angeles, Emme has lived in
New York and Portland, where she quickly rose to prominence as a pivotal underground
artist. Now relocated to Berlin, she is expanding her world through the use of new
mediums and collaborations. Her first piece, “Heaven Help Me” began as an
underground noise show and has been performed at CTM, The Venice Biennale, LUFF,
and many others.

@emme.emme.emme.emme

Charlie Osborne (@charlieosborne.xyz), an artist based in London (b.1999, Cardiff), who works across video, performance, sculpture, music and writing. She recently released a EP [Finding Melody : Part 2] via @odyxxey
Through fictioning and fracturing, Osborne’s projects share clues to an aftermath. Using structure systems similar to poetry, works are presented through sensations of a never ending inter-connected performance. Characters like lonely werewolves, drenched office workers and loved up smurfs are charged with a distorted sense of familiarity whereby theatricality within the hyper-real comes into play.
A stacking of components: hypnagogic pop, Screamo whispers, harmonica screeches freak-folk sensibility, romanticism and muggy misfits cause circulation of hope, humour and magic.

Her short film Old Town was exhibited in Mark Leckey’s show The Offing at the Turner Contemporary later catching attention from @kaleidoscopemagazine.

@charlieosborne.xyz

(Goodbye Clifford. I’ll be missing you. Though I don’t remember you much. I can only imagine how beautiful it would be if I could remember just a bit of our memories.)
Expressing unfulfilled wishes, accepting its own wounds and getting used to the present self.
The project became a place to express oneself with no boundaries and many personal lines being crossed. Music is a tool to feel compassion.
GbClifford is an artistic entity dedicated to the exploration of sound and music, primarily operating within the realms of noise-guitar and sample/vocal processing. The project has also developed a secondary initiative characterized by sound collage techniques, integrating elements of emo and noise.
As a performance project, GbClifford seeks to engage with diverse audiences across various venues, fostering connections within communities through the intricate musical narratives and thematic significance embedded in its compositions. The project embodies the belief that communal gatherings, rooted in shared experiences and values articulated through music, serve as vital spaces for cultivating safe and nurturing environments conducive to collective growth.
The artistic practice of GbClifford addresses significant themes such as mental fragility, the quest for human belonging, and the process of coping with trauma through the act of sharing. These themes are intricately woven into an artistic framework that utilizes a diverse array of metaphors and symbols, enriching the listener’s experience.

@goodbyeclifford

Gods Wisdom is an artist & writer living in rural Western Massachusetts USA. He is primarily a blues pianist, experimental vocalist and guitarist, and sometimes producer. His 2014 album “Goth,” recorded as a teenager, was the official stylistic point of much to follow. Since then, he’s influenced everything and everyone with his music, words, sense of aesthetics, and undocumented thoughts.

@godswisdom

Babymorocco is a singular voice in experimental pop and club music, blending hyper-emotional songwriting with a palette drawn from early 2000s dance, French electro, 2-step, and hardcore. His debut album Amour, executive produced by Frost Children, is a 16-track odyssey through the outer edges of pure pop structures breaking down into club intensity, big feelings warped through blown-out speakers, sugar highs, and ego death.

Since Amour’s release, Babymorocco has landed on the covers of Gay Times, Dork, and TOH! Mag, with support from Pitchfork, The Guardian, NME, The FADER, DIY, and more. He’s built a cult around the body – his own and the crowd’s – through live shows that blur performance and possession, now infamous for their feral energy, shared sweat, and unhinged devotion. He’s supported The Dare on his European tour, shared stages with Jockstrap, COUCOU CHLOE and Frost Children, appeared as a guest at Shygirl’s Boiler Room, and most recently completed his first headline tour in Australia.

Now comes Amour (Jean Paul Edition) a four-track prelude and postscript to Amour, and the formal arrival of its central figure. Every Babymorocco release is the life cycle of a persona: conceived, revealed, erased. Jean Paul is the body behind Amour. Not a symbol. Not a metaphor. Flesh and feeling. The deluxe marks his arrival and, with it, the inevitability of his demise.

@babymorocco

Rowan and Gabriella met at a girly sleepover about a year ago. Over the course of the night they realised they both liked to ask insane questions and had dated all the same boys. They were obsessed with each other. For some reason Rowan set up Gabriella with her incelly ex bf and arranged for them to go watch the csgo tournament at the cinema. Rowan came on the date. Half way thru they tried to kick out Rowan for stealing sweets BUT it was Gabriella.

They decided, because they both have big eyes; they should make a band together. They told Ike from Bassvictim about their idea and stayed up all night together making 5 songs.

They have since made more and their eyes have got bigger.

@thef_mcels

Sodomland is a Berlin-based electro duo formed by siisyland and global. The music blends post-euphoric Ibizan melancholy with bass-heavy club music, laced with dubstep and EDM influences - making genres kiss.

@madjestickasual: „They make music that glitters like minerals in white sand, an attempt to preserve clubspace memories smeared and warped by chemicals as synthetic as they are spiritual. Pink skies, lime-green beverages, white linen, neon-flecked retinas — it’s Sodomland.”

@sodomland

Global is a Berlin-based DJ, producer, and sound artist, known as one half of the EDM duo Sodomland. Global’s musical compositions are collages of already existing sound material seeing the work more as a form of curation and music production as a form of collective work. Tracks like ‚Every Time I Sip On Codeine, I Get Vulnerable’ and ‚It’s Hard To Do These Things Alone’ highlight the use of edits and blends as core musical forms.
Globals DJ sets act as the keysynced live version of blending all genres with a current focus on electro, witch house, noise, dubstep, trap and nostalgia.

@global___

lilboyblb & coinman46 are two Prague-based DJs/artists tied to A.M.180 gallery’s musical ventures.
Their B2B sets can be better described as a multigenre sound eclectica. Zero haters. No genre is safe. Lock in.

@lilboyblb @coinman46

Darcy Baylis is a Melbourne-based musician and producer known for his emotionally rich fusion of emo songwriting, breakbeat rhythms, and trance-inspired production, part of a broader wave often referred to as “Emotronica.” His distinct sound, first heard on Intimacy & Isolation and refined through standout releases like A House Breaking and fan-favourite Days After Breaking, blends introspective vocals with intricate, sculpted club tracks. As a producer, Darcy has collaborated with US cult favourite Wicca Phase Springs Eternal on their joint EP This Moment I Miss, and helped shape the sound of rising digi-emo artist daine. Whether building his own haunting sonic worlds or elevating other artists’ visions, Darcy Baylis continues to push the boundaries of underground electronic music.

@darcy_baylis

Varg²™ is a Swedish producer and artist blending techno, ambient, trap, and experimental club sounds. A co-founder of Northern Electronics and founder Cease 2 Exist, he’s released music with Bladee, Ecco2k, Skrillex & more. His Nordic Flora series channels rave intensity and introspection through a Nordic lens.

@varg2tm

Brennan Rhys Jones is an American rapper and fashion influencer from Jacksonville, Florida. He gained attention in 2024 by blending avant-garde fashion with underground rap, notably through his collaboration with producer Edward Skeletrix. His debut single “Duval” saw major success, followed by tracks like “FashionTrappin,” “Do Dat,” and “RIP Corbin.” His work combines raw flow with a strong visual aesthetic, making him a unique figure at the intersection of music and fashion.

@brennanjones__

Tek lintowe is an artist that is currently on hiatus for gaming. He loves video games so much that he casted aside the ones he loves and broke all of their hearts. He’s currently standing on the backs of those he met when he used to be on. BUt now he has fallen; never to be exonerated. Couch surfing. Gaming shall rip all that he knew in twain, leaving him with nothing but his rainbow gaming computer and his rupsack. He games throughout the days and nights on the living room floors of his old pals from productivity’s past, until they grow too weary to tolerate his damaging and disgraceful gaming habit. They kick him out of their apartments, where he leaves a typhoon of gaming evil in his wake. “I don’t understand why you’re getting so mad dude.” Once unbroken homes littered with wadded up Popeyes napkins and empty Zyn containers. He is OBESE

@teklintowe